Everything about Ghost Dog totally explained
Ghost Dog: The Way of the Samurai is a
1999 offbeat
samurai action film written and directed by
Jim Jarmusch. The film was shot mostly in Jersey City, NJ, but the movie never mentions where the story is set. License plates reveal it's in "The Industrial State."
Forest Whitaker stars as the title character, the mysterious "Ghost Dog", an
African American hitman in the employ of the
Mafia, and who follows the ancient code of the
samurai as outlined in the book of
Yamamoto Tsunetomo's recorded sayings,
Hagakure.
Plot
Ghost Dog (
Whitaker) sees himself as a
retainer of Louie (
John Tormey), a local mobster, whom Ghost Dog believes saved his life years ago. Louie tells Ghost Dog to kill a gangster who is sleeping with the daughter of the mafia boss Vargo (
Henry Silva). However, Ghost Dog kills the man in the girl's presence. The mobsters decide to get rid of Ghost Dog to cover up their involvement. Louie knows practically nothing about Ghost Dog, and the hitman communicates only by
homing pigeon. The mobsters start by tracing all the pigeon coops in town. They find Ghost Dog's cabin atop a building and kill his pigeons. Ghost Dog realizes he must kill the entire mafia or otherwise that'll kill him and his master.
During the day, Ghost Dog frequently visits the park to see his best friend, a
Haitian
ice cream salesman named Raymond (
Isaach De Bankolé) who speaks only
French. Ghost Dog doesn't understand French and Raymond doesn't understand English, but the two seem to understand each other. One of the recurring events in the film is a
running gag when Ghost Dog and Raymond talk: one of them says something and the other, having not understood a word, rephrases it in his own language.
Ghost Dog also makes friends with a little girl named Pearline (
Camille Winbush) to whom he lends a book,
Rashomon and Other Stories, he received from Vargo's daughter. Paralleling a major theme of
Rashomon, Louie and Ghost Dog have different accounts of the circumstances of their meeting: in Louie's flashback, we see him shoot Ghost Dog's attacker in
self-defense, while in Ghost Dog's flashback, Louie shoots the attacker just as the attacker is about to kill Ghost Dog.
Eventually Ghost Dog attacks Vargo's mansion single-handedly and kills almost everyone he encounters, sparing only Louie and Vargo's daughter. Though Louie feels some loyalty to Ghost Dog, he also feels that he must avenge the murder of boss Vargo. Louie finally confronts Ghost Dog at Raymond's ice cream stand with Raymond and Pearline watching. Ghost Dog is unwilling to attack his master and allows Louie to kill him. His last act is to give Louie the copy of
Rashomon and encourage him to read it.
It is revealed that Vargo's daughter now leads the mafia and that she commanded Louie to kill Ghost Dog, completing the chain of events. In the
dénouement, Pearline is shown reading Ghost Dog's prized copy of the
Hagakure, and the movie closes with a voiceover of her reading a passage, implying that she might follow the
Bushidō code.
Textual references
Literature
The concept of gaining knowledge and understanding from literature is a minor theme throughout the film, foremost including the many quotes from the
Hagakure, which divide the narrative into chapters. A row of books is seen in Ghost Dog's lodgings towards the beginning of the film. Discernible titles include
Akhunaton by Daniel Blair Stewart,
The Mayan Factor: Path Beyond Technology by
Jose Arguelles,
Bury My Heart at Wounded Knee by
Dee Brown and
Geronimo: His Own Story by
Geronimo, S.M. Barrett and
Frederick Turner.
Ghost Dog and Pearline initially bond over their interest in literature; she shows him several books that she's reading, including
Frankenstein,
The Souls of Black Folk and
Wind in the Willows. He gives her a copy of
Rashomon.
Cartoons
Cartoons are also used as a metaphor to scene or plot dynamics:
- Handsome Frank watches a cartoon featuring Betty Boop corralling her pigeons moments before Ghost Dog, a fellow pigeon raiser, arrives to assassinate him. Ghost Dog is later seen handling his pigeons in the same manner as Betty.
- Boss Vargo watches a Felix the Cat cartoon wherein the Professor voices his frustration at capturing the elusive Felix and his magic bag, mirroring the mafia's inability to find and eliminate Ghost Dog, who carries his weapons and equipment in a black briefcase.
- Vargo and his daughter, Louise, watch a Woody Woodpecker cartoon in the car, immediately after Ghost Dog has been distracted by a woodpecker whilst sniping in the woods. The cartoon features a staring and intimidation contest between Woody and the Grim Reaper. This can symbolize both the conflict between Ghost Dog and the mafia, as well as the personal conflict between Vargo and his daughter.
- During the mansion shootout, Louise watches a black and white cartoon wherein a hunted moose takes cover, then through the aid of hammerspace, pulls a gun on his attacker and overpowers him.
- Louise watches an Itchy and Scratchy cartoon in the car where Itchy overkills the corpse of Scratchy, while Vinny bleeds to death in the front seat.
- Valerio's bodyguard watches a cartoon where a police officer fires up a drain pipe and the bullets flood out through the shower, pelting the suspect. This mirrors the way that Ghost Dog assassinates Sonny Valerio.
- In the second to last scene, Louise watches an Itchy and Scratchy cartoon where the eponymous duo duel with progressively larger revolvers, until their actions eventually destroy an opponent, mirroring how the events of the film eventually killed Ghost Dog.
Reception
Critical response to the film was mixed, but largely positive: on the
Rotten Tomatoes review site, the film received an 81% favorable rating. The critical consensus was that the movie is "An innovative blend of samurai and gangster lifestyles." The film was nominated for a few awards but didn't win any of them. Among the nominations were the
César Award for Best Foreign Film on 2000 and the
Palme d'Or award on 1999. The film grossed a total of $9,380,473 in the world, $3,308,029 of which in the United States.
Cast
Forest Whitaker as Ghost Dog
John Tormey as Louie
Henry Silva as Ray Vargo
Cliff Gorman as Sonny Valerio
Isaach de Bankolé as Raymond "the best friend"
Camille Winbush as Pearline
Tricia Vessey as Louise Vargo
Gene Ruffini as Old Consigliere
Frank Minucci as Big Angie
Richard Portnow as Handsome Frank
Frank Adonis as Valerio's Bodyguard
Victor Argo as Vinny
Kenny Guay as Boy in Window
Vince Viverito as Johnny Morini
Dennis Liu as Chinese Restaurant Owner
Gano Grills as Gangsta in Red
RZA as Samurai in Camouflage
Gary Farmer as Nobody
Casting notes
Gary Farmer is credited as playing a character named "Nobody", the same name of his character in Jarmusch's 1995 western, Dead Man. After he's confronted by some mob hitmen on his roof, Nobody repeats one of his lines from Dead Man: "Stupid fucking white man!"
Forest Whitaker's younger brother Damon Whitaker plays the role of "Young Ghost Dog" in the flashback sequences.
Soundtrack
The film's score and soundtrack is the first produced by the Wu-Tang Clan's RZA.
US and Japanese versions of the soundtrack album have been released, each with a different set of tracks. The Japanese release also has some songs not in the film. Songs in the film that don't appear on either soundtrack album include From Then Till Now performed by Killah Priest, Armagideon Time performed by Willi Williams, Nuba One performed by Andrew Cyrille and Jimmy Lyons and Cold Lampin With Flavor performed by Flavor Flav.
Cultural references
The film has been interpreted by critics as an homage to Le Samouraï, a 1967 crime-drama by Jean-Pierre Melville starring Alain Delon. That movie opens with a quote from an invented Book of Bushido and features a meditative, loner hero, Jef Costello. In the same manner that Ghost Dog has an electronic "key" to break into luxury cars, Costello has a huge ring of keys that enable him to steal any Citroën DS. The endings share a key similarity. Moreover, the peculiar relationship between the heroes of both movies and birds, companions and danger advisers, is another common point.
The story of Ghost Dog is also similar to that of the heroic bloodshed film The Killer (itself also a homage to Le Samourai).
The film contains a number of references to Seijun Suzuki's Branded to Kill, such as when a bird lands in front of Ghost Dog's rifle scope, referencing the incident with a butterfly in Suzuki's film. Ghost Dog shooting Sonny Valerio up the drain pipe is taken directly from Branded to Kill.
The movie was adapted into a role-playing game by Canadian game publisher Guardians of Order. The game focused on two person (one player and one Game Master) group play and resource information about the movie and the real-life Mafia.
Ghost Dog drives past a club called the 'Liquid Sword'; this is a reference to the GZA album, "Liquid Swords".
Ghost Dog buys pigeon food in a store called 'Birdland'. Birdland is a famous jazzclub named after Charlie Parker, nicknamed Bird. Forest Whitaker played Parker in the 1988 film Bird.Further Information
Get more info on 'Ghost Dog'.
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